Bored National Trust
volunteer, Maureen, steals an obscure still life as a giant up-yours to all
those who’ve discounted her. The novice fine art thief is rumbled by some
fellow room guides, but snitches get stitches, camaraderie wins out and instead
of grassing her up, they decide to help.
Often written off as
an insipid old fart, Maureen has a darker side, challenging ingrained ideas of
how senior citizens should behave. Her new set of friends make her feel alive
again. No longer quite so invisible, can this unlikely pensioner gang return
the now infamous painting without being caught by the Feds?
I wrote this after
hearing a radio interview in which an art detective revealed how a stolen
Titian was dumped at a bus stop outside Richmond station. In a red, white and
blue plastic bag! I just couldn’t shake such a compelling image. I volunteered
at Ham House for many years, and my passion for this Jacobean gem, together
with the volunteers’ indomitable spirit, gave birth to my unlikely anti-hero.
With over five
million members, the National Trust is a huge British institution. Yet, next to
nothing has been written about it in terms of contemporary fiction. Until now.
While No Oil
Painting explores themes of insignificance and loneliness in older age,
particularly for women, it is mainly intended to entertain and offer a small
haven in dark, uncertain times.
My Review
I do enjoy a cosy crime, particularity if it involves an older protagonist. No Oil Painting by Genevieve Marenghi fits the bill perfectly.
Maureen is in her seventies and is a trusted volunteer at Ham House, a National Trust property. The other volunteers, along with the paid staff, are a very mixed bunch of characters. I was shocked at the amount of pettiness and jealousy that existed amongst the genteel volunteers. You can probably spot people who have similar character traits to individuals you may have worked with.
A hypothetical conversation is the trigger for what follows. Maureen asks which item everyone would save should a fire break out. Shortly after this conversation, Maureen decides to see if she can actually steal her favorite work of art. Not only is Maureen extremely resourceful, but she also plans to make use of one important skill she possesses - the art of invisibility! Maureen knows that the elderly are frequently overlooked and ignored, and she plans to take full advantage of this. There's no maliciousness in Maureen's actions, it's more a case of trying to see what is possible. She certainly doesn't think through the consequences if she's caught.
There are some funny scenes, as Maureen's plan doesn't always go as she'd hoped, and added to this is the question about what to actually do with the picture once she has it. Alongside the humour, there is some vividly descriptive writing which really brings Ham House to life. The details of the ghost walk left me feeling terrified. There are also some poignant moments, reflecting the nature of growing old, with family and friends no longer around.
I certainly don't feel as if we've seen the last of Maureen; she strikes me as one of those characters who can set her mind to anything and cause trouble while doing so.
No Oil Painting by Genevieve Marenghi is available in paperback and ebook format. My thanks to Burton Mayers Books and Rachel's Random Resources for a review copy.
Purchase Links
UK Kindle: https://www.amazon.co.uk/No-Oil-Painting-Genevieve-Marenghi-ebook/dp/B0FNLWTCBS/
UK Paperback: https://www.amazon.co.uk/No-Oil-Painting-Genevieve-Marenghi/dp/1917224125/
Author Details
With a BA in English
and Philosophy, Genevieve worked for eleven years at the Weekend FT, where she
helped create and launch How To Spend It magazine.
She volunteered for
years as a National Trust guide at Ham House. This became the setting for her
debut art heist novel, No Oil Painting, which was listed for the inaugural
Women’s Prize Trust and Curtis Brown Discoveries, and was published by Burton
Mayers Books on 10th October 2025.
Her writing uses
dark humour to probe the difference between our perception of people and their
true selves. The gulf between what is said and what is meant. She considers
people watching an essential skill for any writer; overheard snippets of
conversation or a bonkers exchange at a bus stop are like gold nuggets. She’s
been known to follow people to catch the end of a juicy conversation or
argument. Women aged over fifty are essentially invisible anyhow and she views
this as a kind of superpower.
Unlike her protagonist Maureen, she hasn’t used this to commit art theft. Yet.

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